The public presentation of a scene from my play-in-progress currently under development from Yellow Earth Theatre Company will performed by London-based actors Victoria Gigante (Mimi) and Vivienne Robles Lacson (Madamme Stella). Andrea Ling will direct the play.
Miss Philippines is my first play written entirely in English and the first production of work for stage since 2018 when Ang Mga Maharlika (The Aristocrats) and Mas Mabigat ang Liwagan sa Kalungkutan (Lights Falls Heavier in Sorrow) were performed in September in Manila that year.
The poster was designed by Manila-based artist Rombutan. It was revised several times after it was released to the public to promote the performances. It was banned on Facebook, the actors and the production (including me) received countless death threats and intimidation from the supporters and loyalists of the Marcoses and of course, Duterte. Ang Mga Maharlika was supposed to be toured in several venues that year but the production decided to cancel the shows.
Ang Mga Maharlika retells the story of the scandal of the former dictator Ferdinand Marcos and his mistress, the American actress Dovie Beams.
I am posting this here for posterity. Freedom of expression and the freedom to dissent are long dead in the Philippines. Duterte and his fascist regime’s Anti-Terror Bill is awaiting for his signature to formalize and ‘legalize’ the death of freedom of expression in the country.
This is my first theatre-related activity in the United Kingdom and probably my first since the last production of my play Ang Mga Maharlika in 2017 when I was still in Manila. It was already a hiatus for someone like me who keep a scorecards of new plays written and produced in a year.
Before I left for London in 2018 I was supposed to write an adaption of Gogol’s The Government Inspector for a Manila-based theatre company, but for some reasons the project did not push through and there came the problems back home and I have to stay here in the country. I really missed the theatre – both writing a new play or being in the production as a playwright. Getting accepted in this program is a real rebound.
Writing plays always inspire me to be creative and productive in my other creative endeavors such as writing a novel or a short story.
Last February, I submitted my application to the second iteration of Yellow Earth’s Professional Writers’ Program. Luckily, my project proposal for a new play (in English, full-length) got accepted. I’d like to finish my new play while I am in this program – or, at least the scene treatments and pitch while attending the first phase of project until June.
What makes me more excited is I am part of cohort of professional theatre and film artists based in the United Kingdom. I will definitely get a lot of new perspective on their practices that could help me navigate the industry and continue writing plays while I am here living in this country indefinitely.
Yellow Earth Theatre Company is a London-based theatre company that provides workshops, conducts researches, and full production and promotion of works by British East Asians in the United Kingdom.